Amorphis - Elegy
~~~~~~~~~~~~~
Formats: CD, CS, Limited Edition LP
Released: 1996
Label: Relapse Records

1. Better Unborn (Holopainen) - 5:52
2. Against Widows (Laine) - 4:06
3. The Orphan (Holopainen/Laine) - 5:17
4. On Rich and Poor (Holopainen/Rantala) - 5:19
5. My Kantele (Holopainen) - 5:02
6. Cares (Holopainen/Koivusaari/Laine) - 4:29
7. Song of the Troubled One (Holopainen/Laine) - 4:08
8. Weeper on the Shore (Laine/Rantala) - 4:52
9. Elegy (Rantala) - 7:21
10.Relief (Laine) - 4:09
11.My Kantele [Instrumental Reprise] (Holopainen) - 5:55

1. Better Unborn
Better it would be for me
And better it would have been
Had I not been born, not grown
Not been brought into the world
Not had to come to this earth
Not been suckled for the world

If IТd died a three-night--old
Been lost in my swaddling band
IТd have needed but a span of cloth
A span more of wood,
But a cubit of good earth
Two words from the priest
Three verses from the cantor
One clang from the bell

2. Against Widows
The Devil weds a widow
Death anotherТs leftovers
Better to lie on a willows
Rest on alder boughs
Than upon a widowТs pillow
Sweeter the side of a fence
Than a widowТs flank

Softer the side of a grove
Than a widowТs beside is

The Devil weds a widow
The grave one twice wed
A widowТs hand is rougher
Than a dry spruce bought
With which she strikes the playful
Grabs the one who laughs
A widow has had her games
And spent a merry evening

3. The Orphan
The callooТs spirits are low
Swimming on the chill water
But the orphanТs are lower
Walking down the village street.

The sparrowТs belly is chill
Sitting on the icy bough
But my belly is more chill
As I step from glade to glade.

The doveТs heart is cold
As it pecks the village rick
But IТm colder still
As I drink the icy water.

4. On Rich and Poor
Old folk remember
And those today learn
How before their time
Life was different here:

Without the sun people lived
Groped about without the moon
With candles sowing was done
Planting performed with torches.

At the time we lived
Without the sunshine
Who had covered up our sun
And who had hidden our moon?

Without the moonlight stumbled
With our fists fumbled the land
With ourhands we sought out roads
With hands roads, with fingers swamps
We could not live without sun
Nor manage without moonlight;
Who would seek out the sun
Who spy out the moon?
Who else if not God
The one son of God?

5. My Kantele
Truly they lie, they talk utter nonsense
Who say that music reckon that the kantele
Was fashioned by a god
Out of a great pikeТs shoulders
From a water-dogТs hooked bones:
It was made from the grief
Moulded from sorrow

Its belly out of hard days
Its soundboard from endless woes
Its strings gatheret from torments
And its pegs from other ills

So it not play, will not rejoice at all
Music will not play to please
Give off the right sort of joy
For it was fashioned from cares
Moulded from sorrow.

6. Cares
Many rocks the rapid has
A lot of billows the sea
More plentiful are my cares
Than cones on a spruce
Beard moss on a juniper
Gnarls upon a pine bark
Knobs upon a fir husks on a grass-top
Boughs on a bad tree.

Drag my cares away
Carry off my griefs
For no horse can draw
No iron-shod jerk
Without the shaft-bow shaking off
The cares of this skinny one
The sorrows of this black bird

7. Song of the Troubled One
What the thrush toils at
The partridge asks for
The hapless one takes
The troubled one steals
Puts upon a spade
Sets on a runner
Hides under a door
Shields with a bath-whisk

The farmer hammers
And tempers his spears
Marries off his sons
Hands out his daughters
In boots clogged with clay
In fancy mittens

The sea-swell rumbles
And the wind it blows
And the king hears it
From five miles away
From six directions
From seven backwoods
From eight heaths away.

8. Weeper on the Shore
In the vale where I once listened out for the light
Where the little birds warble
The ptarmigans babble
And my heart looked about for some rest from its trouble

I cast my eyes downward upon the seaside
And a fair young girl on the shore I espied
Who was sitting and weeping
To see the waves leaping
And over the skyline sad vigil was keeping.

O why are you weeping alone on the shore?
Now still from your eyes I can see the tears pour.
What sorrow and smart
So pierces your heart
That even at midnight it will not depart?

9. Elegy
Long evenings full of longing
Low-spirited my mornings
Full of longing too my nights
And all times the bitterest.
СTis my lovly I long for
It is my darling I miss
My black-browed one I grieve for.

ThereТs no hearing my treasure
No seeing my marten-breast
No hearing her in the lane
Driving below the window
Chopping the wood by the stack
Clinking outside the cook-house:

In the earth my berry lies
In the soil sheТs mouldering
Under the sand my sweet one
Beneath the grass my treasure
The one I grieve for.

10. Relief (instrumental)

11. My kantele (acoustic reprise)

LINE UP:
Pasi Koskinen.......Vocals
Esa Holopainen......Lead Guitar
Tomi Koivusaari.....Vocals, Rhythm Guitar, Acoustic Guitar & Tambourine
Kim Rantala.........Keyboards & Chordian
Olli-Pekka Laine....Bass
Pekka Kasari........Drums

All Music By AMORPHIS
All Lyrics From Finlands ancient polebook The Kanteletar

Recorded at:
Sunlight Studio, Sweden (Engineer: Thomas Skosberg)
MD Studio, Helsinki, Finland (Engineer: Kaj Hiilesmaa)
Finnvox Studio, Helsinki, Finland (Engineer: Mikko Karmila)
Mixed at Parr Street Studios, Liverpool, England
Engineer: Pete Coleman, Assistant Engineer: Dave Buchanan
Mastered by Dave Shirkat SAE Mastering

Amorphis have truly transcended all expectations with Elegy,
an eleven-song journey into lush keyboard atmospheres,
psychedelic guitar tones and an array of vocal deliveries, sum-
moned by both Tomi Koivusaari and new permanent "clean"
vocalist Pasi Koskinen. Elegy also features the work of new
drummer Pekka Kasari and keyboardist Kim Rantala, filling out
the six-piece 1996 AMORPHIS line-up. Featuring lyrical ins-
pirations from another legendary piece of Finnish literature,
The Kanteletar, the book is comprised of nearly 700 poems
and ballads, based on old Finnish traditions. The band's move
towards more progressive musical expressions is evident
throughout Elegy, treading an open path for future
explorations and insuring the band's longevity as an innovator in
the worldwide metal movement